服饰艺术与工程学院珠宝首饰设计与工艺专业学生王允露、沈雨璇、刘楚楚的作品经层层遴选脱颖而出，参加展览。本届师生参展作品于10月8日至11日在罗马珠宝周主展区正式展出，北京服装学院也是本次展会唯一入选的中国高校。
罗马珠宝周是欧洲顶级珠宝艺术盛典，是全球艺术珠宝创作者心向往之的朝圣之地，依托国际化权威评审团，赛事专业性、行业影响力位居全球艺术珠宝领域前列。主会场设于罗马千年历史古建筑群内，历史底蕴深厚，拱顶与墙面上保留着15世纪珍贵湿壁画，见证了教廷千年的人文与慈善历史，如今它属于“欧洲历史会议中心”联盟成员，极少对外开放商业展览。本届活动以“The Crown of Ingenuity”为主题，汇聚了全球130余位金匠、艺术家、珠宝设计师以及院校和行业机构。
获奖作品《凌骁羽》由高伟副教授与毓珠宝创始人、珠宝设计师毓章联合创作，取材于国宝“马踏飞燕”，重新演绎中国古代青铜文物的经典意象。飞燕划过时空，化作与骏马相伴的生灵，跨越古今，偕行翱翔。一骏一羽相携凌空，生发出面向当下的吉祥意蕴。作品在造型中引入中国绘画的散点透视，铺展多重观照视角，马首、躯干、四肢、鞍鞯与飞燕并非受限于单一观看角度，而是将多个视点下富有表现力的形态纳入同一浮雕构图。骏马腾跃的力量、飞燕振翼的轻盈以及装饰纹样的细节得以同时呈现，形成具有东方特征的空间节奏。作品采用钛金属构建主体，镶嵌特别定切的紫水晶蛋面，每颗宝石依据所在部位的尺度与弧度切割，以流转的紫色光泽表现形体起伏，并以渐变彩色蓝宝石铺陈，在丰富色彩与精密镶嵌之间形成鲜明的视觉语言。
高伟获奖作品《凌骁羽》
王允露、沈雨璇、刘楚楚三位同学的参展作品，以鲜明的当代设计语言，展现东方审美思维引领下首饰创作的多元探索。立足于传承与创新，三位创作者分别对葫芦意象进行几何化重构、融入蒙德里安红黄蓝色彩韵律完成经典符号当代转译、将鸟头骨与中式卷草纹样解构重组。作品力求带给观众“陌生又熟悉”的感受，同时令哥特文化爱好者获得“新奇又认同”的体验，以珠宝为载体，推动跨文化对话与思想交流。作为青年学生创作者，三位设计师立足自身生活体验，将课堂所学与传统文脉、家庭情感相融，让东方美学亮相国际舞台，让珠宝成为表达自我、联结他人的温暖媒介。
王允露参展作品《万戴》
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沈雨璇参展作品《家的构成》
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刘楚楚参展作品《骸亭缀骨：升》
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热情的观展嘉宾
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本次罗马珠宝周参展活动，充分展现了北京服装学院服饰艺术与工程学院珠宝首饰设计与工艺专业师生的综合艺术素养，是教学成果的集中体现。获奖作品以东方文博美学为根基，结合前沿跨媒介设计理念，将古典意境与现代高级珠宝精工工艺深度融合，凭借兼具文化底蕴、创新思维与国际审美的出色表达，获得国际权威评审团的高度认可。
北京服装学院获奖与参展师生合影
北服珠宝首饰设计与工艺专业立足艺术设计与艺工融合的特色育人体系，深耕传统工艺现代化创新、跨媒介设计研究，坚持以赛促学、以创育人，构建了从创意设计、工艺落地到国际化审美的完整人才培养模式，充分彰显了珠宝专业特色化、精细化、国际化的办学优势，印证了专业在传统工艺创造性转化、国风设计国际化传播领域的强劲核心竞争力。
未来，学院将持续深耕专业建设与美育创新，推进传统东方美学与现代时尚设计深度融合，培育高素质创新型珠宝设计人才，助力更多北服原创设计走出国门、闪耀国际艺术舞台。
